#as for my OCs.... well... it's them but in a different font is what I'm saying here for now

[arabellaseraphim]

You guys have no idea how just some bits of info and looking at people’s fanarts/fics with a dash of self spoiling in terms of the latest story in Scarlet and Violet (even though I might not be able to buy the DLC but Imma just watch the full gameplay/read through what happens there instead) is all it takes for me to be able to go back into my "Pokemon days" once again and have the urge complete my game as soon as I can while I got myself a bit obsessed with a new ship because for some reason it reminds me of my OC ship and their dynamics that I pictured in my brain...

[bitegore]

I made a character sheet to plot your OC's development over time! (There's supposed to be a character name in the big white space next to "over time" but it got eaten a little lmao)

You can use this for whatever you want, and you don't have to credit me. Feel free to change or edit anything you feel like. Please don't tag me if you credit me - just link to the original post.

Credits, explanations & a transparent version under the cut :D

Credits:

The actual image was made with the free NBOS character sheet creator, which is a sort of dated but free and solid text-layout sheet maker intended for ttrpg style character sheet creation.

Fonts used were Bisdak (titles) and Rockwell (body). Both are free! You can use them to fill it out if you like.

Inspired by a comment @maybe-solar-powered-calculator made on this other post about filling it out for characters at multiple points along their arcs. Thanks for putting the idea in my head :D

This is explicitly released under a CC0 1.0 deed, ie: you can do fucking whatever you want with it and I don't care and you don't have to tell anyone where you got it from and no one gets to stop you.

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Last time I made one of these I got a bunch of questions on all manner of things, and I can never keep up, so I'm just appending a set of notes for how to use it and a glossary because I know some of these phrasings will be confusing.

Ignore or change anything you don't feel like works for you here. You can do whatever you want forever.

Suggested / intended use & general notes:

This sheet could work for something story-level, if you want. But it's really only good for individual arcs; if the character goes through multiple arcs in your story, then they're going to fit poorly here. In that case, you're probably better off doing versions for each arc, or just adapting this to a different format more suited to your thing.

Also, if your arc has a nontraditional structure - divorced from the typical "rising action - climax - conclusion" type of structure where there's a clear 'important turning point' - it may not work as well either.

The mindset section is meant to come at it from a 'golden mean' standpoint - that is, everything on either extreme of the slider is 'too much' and therefore bad. It's not bad-to-good! The far right side is a flaw too. They're only grouped the way they are on basis of the specific OCs I personally had in mind when I put it together.

Growth is labeled 'worse'-to-'better' but it means, like, active decrease in that area vs active increase; if nothing changes, it should stay at the center even if it sucks. The category is about contrasting changes, and sometimes changes are for the worse!

The entire sheet is very deliberately subjective. It should really be answered from the character's perspective - how they feel about it, not what's necessarily true. Technically you can do whatever you want and I can't stop you, but it's a better tool if you approach it from the point of view that the character may believe things that aren't true - that will define their behavior way more than the objective facts of the story.

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Definitions:

This part is long as hell - recommend using ctrl+f to find the specific words you're stuck on. I defined everything.

General categories:

Mindset: how your character thinks about themself and how they act. Their understanding of their own approach to life. Attitude, viewpoint, decision-making process, that sort of thing.

Circumstances: the relationship between your character and the world around them. Where they are, what that place is like, and how they feel about it.

Growth: how the character and their impact - their attitude, their behavior, their immediate surroundings - changes over time.

Outset: the start of the character's arc.

Present: the 'center' of the arc. If you're planning something ahead of time and it hasn't 'happened' yet, then this is the near future.

End-game: where they are after the conclusion of the arc.

Mindset terms:

Center of the world: "If I have a problem, it's the only thing that matters to me." Self-centered, self-absorbed. Doesn't necessarily mean anything beyond that - they don't necessarily have to be unpleasant to be entirely focused on their own life.

my life isn't relevant: "Everyone else's problems are so significant, I don't pay any attention to my own". Someone who ignores or neglects their own life in service of some other thing, or doesn't consider their own behavior to have any real importance.

Only see enemies: Paranoid. Everyone's out to get them. Anyone who seems nonthreatening is hiding their potential for danger and everyone who seems threatening is a threat. The character must remain ever-vigilant, lest the cashier at the 7/11 suddenly stab them, or their best friend turn out to secretly be trying to poison them to death.

Only see friends: Naïve. Everyone is a good actor who wishes everyone else well, and if they don't seem like they're acting from a place of kindness or care then you probably don't understand what they're up to. The character is pretty sure the stranger holding that knife is, like, someone to chat up maybe, they're clearly only hanging out in this dark alleyway because it's a nice spot and no other possible reason.

overthink everything: Ten thousand thoughts per every single action taken. Maybe they never get around to acting at all. They have to consider every possible outcome. What if by eating lunch they accidentally trigger the apocalypse?! Who's going to think about these things if not them?!?!?!

impulsive to action: Act first, think never. What do you mean "consequences of actions"?

Unilateral decisions: "I will make every choice and no one else's opinions or thoughts are relevant". Discounts outside suggestions. Firmly convinced that they know best in any situation, and will brook no disagreement with their views when it comes to actually doing things.

Command me, please: "I don't know what to do and I don't know what to even start with, someone please tell me what to think". No confidence in their own views. Will not make any decisions unless forced and even then will beg someone else to please tell them what to do. Has no idea what's best and is pretty sure anyone else will have a better idea.

can't ask for help: No one will ever help the character; they have to do everything themself, even the things other people have repeatedly offered to do for them and have much more experience with. Doesn't necessarily mean that no one will help them or that they are explicitly barred by some real-world circumstance; just that, for whatever reason, they refuse to ask for help. This is an attitude thing - will they ever reach out? No? Then they're here.

too reliant on others: Have they ever solved a problem alone? Do they believe they're even capable of doing so? The character all the way at this end of the scale absolutely never expects to be able to do anything themself, has no trust in their ability to solve a problem, and needs someone else to come save them from it. The kind of person who needs ChatGPT to do their homework. Again - doesn't actually mean anyone will help them, or that the people they're relying on are reliable - just that they think they are helpless without ... well, help.

Weapon maker: This has to do with problem-solving strategies and not actual weapons. The weapon-maker is a character who views every situation as a conflict that cannot be de-escalated or solved by cooperation, and responds appropriately. The most fundamental weapon maker character turns everything into an argument, a fight, a war, etc. There are a bunch of other responses to conflict, though - they might avoid problems that need solving because they avoid conflict generally too. Fundamentally what you want to answer here is: when they see a locked box and they don't have the key, do they respond to it the same way they'd respond to someone telling them "you can't open this box"? And how do they respond to that? Typical weapon-maker approaches: - brute-force the box open or try and then give up if it doesn't work; and also get into an argument that might turn physical with the hypothetical person - shrug and give up immediately, in both situations so on and so forth. Another hallmark is that they kind of suck at problem-solving and give up if brute-forcing a problem doesn't work. This is not someone who is picking locks unless someone else told them to - they have one solution, it's to make everything into a conflict, and then to win that conflict by beating them or to give up because they think they'll lose.

Tool maker: This person approaches every situation like it's a puzzle, not a fight - up to and including actual fights. Tool-maker characters generally assume that a situation can be solved by just finding the right approach and doing it the clever way. There's the same fundamental question as above - if your character sees a locked box and has no key, would they approach it differently than someone telling them they're not allowed to open the box? 'Typical' tool-maker approaches: - I can trick the person into giving me the key by saying the right things, and I can also pick the lock because fundamentally there are 'right answers' to both of these - If i make friends with this person, they might change their mind, because now we're cooperating. I can still pick the lock because there are 'right answers' there. - The person has a reason for wanting me not to open the box, so I can definitely figure out what that is and solve the reason so then they'll let me open it. I can take whatever it is even if they really want to keep it if I just find the right answer. I'm going to break this box into little pieces because that's the easiest way to get into it but I could probably open it some other way if that wouldn't work.

A note - the center of this bar is someone who generally has different responses to different kinds of situations - like, in the box example, they'd approach the box and the person with two different general attitudes and processes - but generally responds to those situations using the same kind of decision-making process for each category every time. Most people are nowhere near either extreme. Characters tend to be classifiable into weapon-maker and tool-maker because they are fictional and it's easier to define one kind of approach than many. Approximately average approaches: - pick the lock if no one's around, but give up if someone is there because someone telling me not to open the box is a conflict i think i'll lose but a locked box is just a puzzle that i can solve - argue with the person, but give up on the box, because they're approaching the box as a puzzle and they don't think they have the skill to get into it, but the person is someone who can be convinced or bullied into handing over the key

I made this particular dichotomy up, which is why I think I get a lot of questions on it whenever I put it into anything, but I also don't know of any other snappy way to describe this sort of thought or approach variance, and it's genuinely useful for character writing in my opinion.

Pessimist spot-finder: Generally a downer but not necessarily. This kind of character just approaches everything with a close eye for problems, issues, reasons to find fault. If they're miserable, it might be why, but like, they can be a cheerful spot-finder if you want, I just wanted to get at "the glass is half empty" and "the glass is half full" more than anything.

Optimist upside fan: The opposite. "The glass is half full". If there are problems, they can find something about them that's not so frustrating or bad to focus on. Pretty damn good at overlooking minor issues if there's no reason to fixate on them. Not necessarily cheerful.

Abysmal company: could not give less of a damn about treating people the way they 'should' be treated. Maybe they take pride in that. Maybe they just think it's irrelevant. Either way, they know they treat people badly and they don't see any reason to stop. Does not necessarily mean that they treat people badly if they think they're doing the right thing and are wrong. Doesn't mean they're actually pleasant or unpleasant to hang out with, either, unless you really want it to mean that.

Decent to others: treats people well as a matter of course, or at least they sure think they do. Makes an effort. Would probably care and/or consider changing their behavior if someone said they were treating someone poorly. As before - they can be completely un-self-aware and just think they're doing right by people while treating them completely horribly.

Morality is irrelevant: 'abysmal company' for broader approaches to life and problems. Maybe they just know they're myopic and don't think other people's problems matter. Maybe they just gave up on trying to differentiate between 'good' and 'bad' and outsourced it to someone else or stopped paying any attention. Maybe they just like to take morally unjust actions and can't be bothered giving a damn when someone points out that they're morally unjust, or maybe they're proud of it. Kind of a villain trait generally, but not necessarily - it doesn't have to mean they act badly, just that they don't care if they do. Also, this is about how they choose their own actions and view their own behavior. They can think morality is relevant for other people as long as they ignore it when they act themself.

Always in the right: feels morally righteous in every decision they make. Standard superhero type of trait. Doesn't necessarily pass judgement on others, doesn't necessarily act well according to everyone's moral code (see: blue and orange morality), but they are extremely principled and will never deviate from the moral code they personally believe in. And they do genuinely believe in it.

Circumstances terms:

Generally terrible to generally excellent: how subjectively decent is your character's situation, overall? If they think everything is horrible, but the situation is charmed to everyone except them, then it's generally terrible.

Need for changes to passive tolerance: will they do something about it? Do they feel like they have to?

No agency in action to decisions are huge: agency being "how much power do I have to make changes here?", this just asks how much they have. No agency means that, no matter what they do, nothing will happen - they might be locked in a cage or somehow otherwise completely unable to use any sort of power at all, even the power of just leaving. The other end of the spectrum is where every decision the character makes makes a huge difference, not just to themself but to everyone around them as well. They can start wars, they can have anyone they want killed, they can do anything whenever they feel like it. If they think they have no agency even though they do actually have agency, they don't have agency here. If they feel like they have all the agency in the world and can do anything, then they do even if it's not true. It's perceptual again.

Stakes are deadly to mistakes solvable: what are the consequences of failure? Will you die, will you lose status you can't afford to lose, will you lose belongings, will you have to apologize, will nothing happen at all? Mistakes solvable is where they think every mistake is solvable forever - the character pushes someone through a woodchipper and they come out and to fix it, maybe an apology has to occur, but not much else. Does not necessarily mean no one gets hurt or killed as long as the character thinks there are no permanent consequences. This is the most important one on this section to keep subjective because it will greatly influence how your character approaches situations. A character who thinks everything is deadly-stakes may go to cartoonishly-extreme lengths to avoid turning a report in a day late. A character who thinks all mistakes are always solvable may push someone through a woodchipper and then just assume they can say they're sorry and it'll all go away. The setting and their approach do not need to be applicable.

Needs go unmet to attended with care: how do the people around them treat them? Do they pay attention when the character needs something, or do they ignore it? Does the character have to do everything themself around here, or are there people who will help out?

Regarded poorly to regarded well: how do they think other people see them? Are they respected, are they liked, or are they disliked? Do people broadly trust them or are they pretty sure everyone regards them with suspicion?

Nothing changes to changes in seconds: functionally the 'stability' meter of your setting - is the situation generally stable, or are things constantly changing? Does your character feel like every five minutes, there's a new problem that needs dealing with, or do they feel like nothing has ever happened ever?

Growth terms:

Changes in place: do they go somewhere else? Does the physical setting otherwise change (eg; earthquake, war, etc) ? Are there any other reasons that the 'vibe' or 'experience' of the place is different from before?

Change in power: does the character's percieved agency (see: no agency in action to decisions are huge) change? Alternately you can use it if they've gained or lost power in some percieved way (deposed, assigned a commanding position, etc).

Change in bonds: do their relationships with people change? Have they made new friends, lost old friends, changed the nature of their relationships with friends or partners, etc?

Change in beliefs: straightforwardly, have their beliefs, morals, etc, changed?

Change in hurts: have they undergone some horrible experience? Do they have past trauma from some pre-arc horrible experience they're healing from and/or discovering they're more powerfully subject to? Did they experience a physical injury that they're recovering from or which materially changed their life? Did something recent dredge up old issues? So on and so forth.

Change in hopes: Do their desires for the future look the way they used to? Do they care about different things now? This is something the character is not actively working for, but may be tied to actual goals.

Change in fears: are they overcoming fears? Growing past them? Gaining new ones? Are they scared of shit different from how they used to be?

Change in goals: Not the same as a hope because it needs to have a specific, achievable outcome the character is actively working toward. Do those material goals look different? Perhaps they no longer want to work against something, maybe they didn't have any goals and now they do. Or maybe they've realized the goal is impossible, or something has happened to make that goal unachieveable. Whatever it is, if there's a change, it's a change.

Change in self-awareness: their beliefs about who they are and what they're like, and what their circumstances are. Have they gotten more self-aware, have they gotten less self-aware, or has nothing changed?

Change in relationships: their relationships' overall health and resilience, as far as the character is concerned - which doesn't mean they're necessarily good, just that the character thinks they're how they're supposed to be. Have they improved? Have they gotten worse? Have they not changed?

Change in knowledge: do they feel like they know more about the world, their place in it, the people around them, etc? Not necessarily how to do things - just general information and awareness.

Change in social standing: how does others' regard for the character change over this part of their arc? Do people like them more or less? Are they respected more or less than before? Has nothing changed? And so on.

Change in skills and abilities: do they feel more skilled than they were before? Do they feel like they know how to do as many things as before? Again - not necessarily rooted in reality - a classic example of a character being wrong about this is a 'big fish in a small pond' character who used to be the high school sports star going to college on a sports scholarship and discovering they're not the best any more, and suddenly feeling like they're the worst - when they're better than they've ever been in an objective light. Use a subjective viewpoint for this.

Change in agency in life: how does the character's percieved agency change? Do their decisions matter less now than ever? Do their actions make way more happen than before? (See: no agency in action vs decisions are huge)

Change in outlook: Here's the upper/downer part. Are they more or less hopeful for the future? Do they think things are more terrible now? Are things improving as far as they're concerned? Or has that not changed?

Change in goal progress: how do they feel like they're progressing on the goals they've set for themself? Are they getting further and further away? Are they getting closer?

If some of this doesn't make sense and you want a clarification, you will have to tag me to get my attention, because I'm turning notifications for this post off the minute it leaves my immediate social circle.

Transparent version: (sorry you had to scroll so far)

[shadowsofdread]

inspired by the poll about theron shan's romantic chemistry with each of the origin classes, i wanna pose a somewhat similar question because i love thinking about it. it's a big thing in the swtor fandom that people tend to write relationships between their mains of each of the origin stories, and certain trends/combinations tend to be common - namely, sith warrior & jedi knight, jedi knight & jedi consular, sith warrior & sith inquisitor, etc.

so an open question i'm putting forward for anyone to reply to is what are your favorite pairings of classes - platonically, romantically, secret third thing, antagonistically, etc. you don't have to name an "underrated" one, but my question is based more on the chemistry between the classes, like, in general as opposed to specific iterations of that class. i.e., by all means use your OCs as an example of why you like that pairing, but like. i am talking more broadly about archetypes than specific characters. does this make sense. anyway, some of mine:

sith warrior & jedi knight

you knew this one was coming. i think the SW and JK are positioned pretty well to act as foils to one another, and there's something very interesting about how the transitions between Chapter 2 and Chapter 3 of each campaign mirror each other, with the finales of their respective campaigns leaving them on opposite sides of a current or future antagonist - with the SW ending up on that same side as the JK by ziost. i've interpreted this as a shared sense of personal responsibility - through their actions, one way or another, they make the most sense for being the emperor's number one enemy, which may lead to a sort of alliance between the two characters, depending how you spin it. or, hey, maybe your sith warrior is actually loyal to the emperor even still, at least until they are ultimately betrayed by valkorion. in which case, lifelong, bitter enemies. where maybe they should've had a common cause, maybe the pieces should've been there all along for them to fight together, but against all sanity and reason, the SW chooses again and again to stand by vitiate/valkorion.

sith warrior & imperial agent

next to SW&JK, this is the dynamic i keep coming back to over and over again - there's a reason why taizi's met most of @tiredassmage's agents. it's also the one i have the hardest time explaining why i like so much. there's the appeal of like ... hypercompetent pairing with vastly different skills but very good at those skills. it's kind of like a variation on what scratches my brain about SW & quinn in that there's a lot of toying around you can do with sith/imperial power dynamics - made even more interesting depending on the type of agent you're playing, and regardless an agent who has had their literal brain fucked with by the dark council, i.e. the castellan restraints.

sith warrior & jedi consular

listen. have i actually gotten to use this one much in the "playing blorbo barbies with my friends" sphere? not exactly. it's a very new one that i'm still rotating, and i don't know how to explain what it is i like about it but i really, really want to see more of it. i think it could be delicious, brent. please let your warriors and your consulars talk to each other more. one thing i will put forward is i think SW & JC scratches a similar itch to SW & JK to me, but in, like, a slightly different font? i dunno, man. i just wanna see it more.

honorable mentions:

jedi consular OR jedi knight & trooper: it's like jedi / clone trooper but without the ethical issues and cognitive dissonance! /lh

sith inquisitor & jedi consular: could be taken so many different ways, i just don't think enough about SI to do much with it

imperial agent & jedi knight: only really seen a few iterations - two of them being my own - but like. something in here's really fucking good.

[max05nb]

Day 23

Pris redesign/my take on her design. My favorite redesign so far, I love how detailed it ended up as! I was first scared of doing the semitransparent parts but I love this piece! You you like it as well <3

(masterpost)

So this was one of my favorites to make despite actually loving the og design and not having any problems with it.

I just loved trying out different dresses moving between more princess or more practical. I went all in on mermaid theming and given her more of ocean witch vibe. I was inspired by mermaid and princess dresses but took a huge inspiration (even though it didn't make it into the final design) from Empires season 1 Lizzie! I was actually watching Pris when she just used to make theory videos about empires and there she occasionally spoke about her oc's backstory and about her oc's race being closely connected to Esmp1 Lizzie, so because of that I tried out a lot of variations with clothes inspired by Lizzie's but found them not fitting Water witch Pris's vibe.

I went through a ton of dresses because other than "pretty maxi dress" I didn't really have a clear goal in mind, I known I wanted mermaidy feel to it and I was very set on the sleeves being very flowy.

I couldn't really decide on her shoes being heel or not, from one point heels look amazing and her og design had them but on the other hand girl you ain't going swimming in heels but on the other other hand you ain't swimming in a dress either so yeah, I still ended up on a flat design just for practicality.

I cycled trough a bit of different very similar hair styles before finding the perfect wavy to straight ratio and front, I also went through some different ways to incorporate the bows but ended up with just adding them on like on the og design.

You know what I found out when looking for reference pictures for this dress? That I really need the word to move on from these basic boring simplistic maxi dresses that are just straight up boring like live a little pls add at least a fun pattern or something I don't want to see the same dress copy pasted unless you use a different font at least! Like girl respect yourself '-'

When I think of mermaid I think of pearls so I might have went overboard with pearls oops well that's gonna be fun to draw over and over again! ••

One of my favorite details is the bag, I tried drawing it to look like a seashell and was very proud afterwards!

I wanted to give her an abundance of jewelry so she got a lot of necklaces and bracelets!

I also might have made her into a fish... Took me a bit deciding what type °°

I gave her a weil and a semitransparent layer of skirts what was one of my first time drawing something like this in color so hope you guys love it as much as I do! I feel like the weil just really adds to her design and the skirt is only so we could her shoes. I'm not making very throughout decisions okay? I will forget what shoe I picked otherwise anyway. Now that I think about, oh my I should have gave her fish nets, nahh how did I not think of that earlier??? Okay next time I draw her I'm going to draw her with fish nets! This is a promise I probably going to forget to keep but I still can't believe I never thought about this before...

I tried making the dress resemble still her og dress with the corset element but ended up drawing her in a very different dress. I was debating if it's okay to have her design so different but ultimately decided that, there's only like a total of 5 ppl maybe if we being generous who actually could possibly care about the post and from that maybe 2 know what Witchcraft smp even is and from that there's only possible like 1 who actually cares even a bit about accuracy so yeah I'm sticking to some dress that I like and the vibe fits the most!

Drawing this made me think about the fact that I might be covering up characters more than I should. I like modesty but I also a big fan of sl-tty fashion cause you know style is style and that's more than what the straights have. What I figured out is that because I also hyper aware of sexualization of characters I more often than not, I cover them up and make them more modest, realistically I know it's not a bad thing, but it made me think because the creator was okay with og design showing off chest area but I covered it up still, why? Am I uncomfortable by drawing cleveg? Idk? I don't draw my main oc's like that but that's because they're underage and just wouldn't make sense to do so but that doesn't apply to these characters that are of age, and besides, I do draw characters with more skin showing just not regularly. Maybe it's the association with the creators? Or maybe it's simply that I always cover up? I have sensory issues and constantly need something covering me (I have specifically problem with the sun touching my skin) so maybe that's why. But yet again I love fashion where that isn't the case I just can't wear that so why do I still cover characters up that are of age, already have an approved by creators design with exposed skin and overall don't even have a sexual design? Well anyway I was just wondering because I needed constantly keep in mind to let myself draw a exposed shoulder cause damn it it looks good why am I against fun TT. I also did cover up chest for both Pris and El from og card designs so yeah...

[rottingaches]

hello everyone ! my name is hyune or phobia, i'm 21+ and use he／they pronouns. i'm currently looking for long—term one on one roleplays with people 18 and older, preferably on discord, or roleplay groups to join ˎˊ-.

⊹ i write in a descriptive, 3rd person point of view, normally ranging from three to five paragraphs. if you have a different writing style, shorter or longer, i'll match ! i tend to use a lot of prose and flowery language, as well as visual changes in my writing — including using capital words or fonts for emphasis. if you would prefer i don't do this, feel free to let me know and i'll leave it out !

⊹ generally, i prefer plots where romance is not the driving factor. i will often include it as a subplot, or something that furthers the main point, but romance—centered stories are not for me ! that being said, if there is a romance plot that you're very interested in, feel free to offer it and we can see if it's something that can be worked with. i absolutely love soulmate plots where neither of them are expecting it, or the soulmatism is the cause of sooo much pain and anguish.

⊹ i love angst. i love it. i live it and breathe it and i will injure and maim and maul my characters for fun! sorry about this! i like hurting them! fluff is so rare!! what is a happy ending without pain so they can appreciate it! etcetera. i'm sorry!!

⊹ plot—wise, once more, i tend to work with darker plots. many of my writings include death, light gore, religious imagery and blasphemy, drugs and illegal substances, and more generally mature themes. while i may reference suicide or self—harm, it will not be actively written. that aside, i will not write r*pe, ab*se, in*est, p*dophilia or any of the above topics including a minor. i also do not tolerate racism, and prefer not to write any kind of sexism. homophobia is a theme that many of my characters will have in their backstory, but not one i'm willing to include in current roleplay events other than as a reference to the past.

* as a note : any action by my characters that is illegal or generally seen as wrong is not one that is endorsed by me. these are actions taken by fictional characters in a piece of writing that stays between me and another writer or group of writers, and are not identifiers of a lifestyle that i believe others should attempt to emulate.

⊹ i will write smut if it furthers the plot or if we are close only. please do not request it; i will not write it as a focal point. any smut or sexual mentions in my writing are based purely on built chemistry and generally, will shape the plot: i do not believe that casual sex will not change a relationship. if that is a plot point for us, then by all means ! — i do not have any issue with discussing sexual themes in writing, and do believe in a sex—positive environment.

⊹ i prefer queer pairings. my characters' gender identity and sexuality often play a crucial part of their journey and even if it's not active in the roleplay, it is important to me and i will be talking about it ! most, if not all, of my experience lies with mlm ／ nb pairings, but i'd like to reach into wlw pairings and writing to better myself. ˎˊ-

⊹ most of my characters have an irl idol or celebrity faceclaim. i do not do real—person roleplay, though i may reuse names, but my characters are not their faceclaims. i use them because they inspire me and are fitting. all my ocs are close to or older than their fc. most of my faceclaims are k—pop idols. if this bothers you, do not bother with interacting! i have a few that are not, but i tend to have very low muse for them.

⊹ i prefer oc and fandomless writing. that being said, i do have ocs and canon characters that i've written in the genshin impact verse and bungo stray dogs universe. i'm very open to writing these, it's just not something i've done as often ! i'm also willing to dip my toes into honkai impact 3rd, saw, hannibal, or something with a plot similar to inuyasha, neon genesis evangelion, stardew valley, legends of zelda, reanimator, and a lot more !

⊹ i've been roleplaying and writing for over eight years, on multiple different platforms from wattpad to tumblr to twitter, discord, and mewe. generally, i prefer plotting before deciding on characters as it allows me to be sure the characters will be ones that will help rather than hinder the plot and leave us at a standstill !

⊹ i am a student, so i may not respond immediately but will always try to get back to you in a day or two max ! feel free to poke at me occasionally and leave messages, i'll respond once i can.

⊹ send me a dm or interact with this post if you're interested in plotting! when you reach out, i'd appreciate it if you'd introduce yourself and let me know what you're looking for. i return the energy i receive ! i love talking ooc and would love to make friends, whether we rp or not. ˎˊ-

divider. rts appreciated!

[petra-creat0r]

For character asks; 3 and 19 for Elymas?

3. What was the first thing you decided on, name, appearance, personality, or role?

For all of my secret boss ocs, the first thing I came up with had to be the role. I knew I was making a character to fill the niche of Spamton or Jevil in a chapter take (in Elymas's case, chapter 4, which I still believe will take place in the church), and thus went from there.

I know it still took me some brainstorming though, I don't think I really got an idea for what I wanted until @parakeetlover3 suggested something on my Discord server when I was talking about Chapter 4 take ideas. I think they had pitched the idea of some dove/crow and a broken ring, which then eventually became Elymas.

19. What is your general favorite thing about the character? What is your least favorite?

I love SO MUCH about Elymas. I think some of the things I love the most are their personality and design. They're such a pompous little prick of a bird, who's so entitled and full of themself, despite being a tiny little bird thing who holds no power whatsoever. It's the same sense of pompousness that makes me like Spamton I think, the kind that makes you want to see them get punched. It makes Elymas and Britni's dynamic really fun.

And their design is something I'm VERY proud of. Being a seraph, I needed to find a way to incorporate 6 wings into the design, which I think I did well. Two are their arms, two on their back, and two covering the eyes. The ones covering their eyes also plays into the blinded false prophet. Not to mention their broken halo forming horns, or the addition of purple after the "gasterification" turning their dove like look into more of a crow.

As for my least favorite thing about the character... Either their text quirk or their lore. Elymas's text quirk certainly isn't as difficult to write for compared to Spamton or Bitsy, it's really just them talking in ye old English (better that Rouxls at least), but I think that's part of my issue. Doesn't really feel like a text quirk, and is more just their way of speaking. Not sure I'd change it, but I think if it was in an actual game, then it'd be in a different font than other characters.

For lore, considering how still underdeveloped my chapter 4 take is, and will likely continue to be, Elymas's lore is currently restrained to just involve them. With Bitsy I've been able to incorporate more characters and flesh out her lore more, which I really enjoy, but I just don't have enough of my Chapter 4 take to do that for Elymas.

[biscuitmydear]

🍮 Another KI:U OC template! 🍮 This time I made the KI:U boss screen into a KI:U template! This was inspired by my sweet friend @golden-bk 's OC info sheets! Please go check out her absolutely awesome art 🧡 You can find the power icons here: https://www.kidicaruswiki.org/wiki/Powers The background is a dark colour close to black and then a gradient comes up from the bottom. This is usually two colours like in Medusa's Boss Screen she has a violet and purple colour gradient. There is also a pattern as well in the background. These seem to change for the characters so have fun making your own up! A glow effect is also applied around the characters usually in a similar colour to the background but different enough to stand out slightly. There is also a fire looking image applied on top of the character art. I didn't add this to mine but it looks cool :D The titles also either have just their names, names and a title or "God/Goddess (Name)" An idea could be: Having the powers you use in game on display or what if you pick powers that might be useful in your OC's boss fight? How about making the power orbs on Medusa's boss screen if your OC is a bigger boss! You don't have to use the same font but I chose this since I had it available and it was close to the original font Font: Source Serif 4 The numbers I just traced from the numbers in KI:U but i'm sure any font will do for them For my OCs I picked the heart booster for Caramella since she's got Souflee inspiration and they drop a lot of hearts, health recovery cause it's good to have and celestial fireworks for fun! Keresnia has my powers that I usually use in game ✨ If you use and upload your own OC boss screen using my template could you please credit me since I spent time making these and so people can find the empty template. And also if I get tagged I might get to see more KI:U OCs! :D Thank you 🍮

[arabaka-archived]

dont be shy. share that oc with the class :v

omg hiiii................................. so this is 𝓹𝓮𝓽𝓪𝓵 idk using that font felt right and funny to me. i'm always nervous sharing my ocs bc i come from the time (THAT MAKES ME SOUND SO OLD IM-) when any oc was at risk of being called a mary sue and you had to have an excuse for everything you wrote about the character lest you be flogged in public so please be nice....

this is petal your local lesbian sex worker and self-made botanist... she's technically from piltover if you really count the two months she was topside until her dad got them all banished to zaun bc of some shady dealings

parents held it together for a bit, then became lousy people and stopped caring altogether leading to their early death.

teen petal on the streets with nowhere else to go? the ladies at the club take pity on her but she can only hitch a ride for so long, but she actually likes what she does. it's not always sex but connections, getting to know who you gotta to survive in a place like the undercity. it pays well (considering) and she's damn good company

she's proud of her independence and likes having a place to call her own that she can pay for all her own because she's only ever had herself, really

her apartment is a shoebox but it's home. she has plants scattered about the mess, all DIY-experiments in an attempt to breed something that can flouish in zaun. it's a side project and she plays it off, but she really wants to make a difference

in current lore, she and vi obvs meet at the club :3c bc i love injecting my stuff in canon events and changing it up :3 so she helps get info on sevika while definitely putting the moves on vi because she's so hot for her it's insane........................ but oops, all feelings !

she hates letting people in because then she has to take the mask off and face reality op there goes gravity . so yeah it's a rough start.................................. but it ends with them mushy for each other so it works out :3

[fandomanimatic-tournament]

Fandom song animatic tournament: Side A Round 1

Your Stupid Face - Kaden MacKay

"I just really like your face You don't have to look so happy I'm not really into love that you flaunt In some glittery font But if that's what you want Make it snappy"

Ready as I'll ever be - Tangled the series

"So gather around now (ooh) It's time to sing It's bittersweet (ooh) but it's a hell of a silver lining I tell the same old stories As y'all get your wings And I get better every time I kiss a weathered cheek And watching doves fly Sooner than me I guess I'm ready, ready as I'll never be"

Remember that we're voting on how Iconic they are for ANIMATICS, not for the song itself. In order to make things fair, the tone and mood of the song should not affect how iconic it is (for example, a serious song should not be considered more iconic than a joke song just because it's serious)

Propaganda and animatic links of the songs under the cut:

Your Stupid Face - Kaden MacKay

Propaganda:

Ultimate enemies to lovers potential as it starts with tge singer hating the other party and slowly growing to love them. Also has an excellent tma animatic (haven't watched any other animatics for it but a quick search shows there's a lot)

Animatics with the song:

Helluva Boss Stolas x Blitz

Don't Starve Together Wxwood

The Magnus Archives

DSMP TNTduo

Toilet Bound Hanako Kun Mitsuba Animatic

HFJONE Sodapack

Ready as I'll ever be - Tangled the series

Propaganda:

I can list at least three full animatics for this song for every major fandom I have ever been a part of, and still it's so hard to find them because there are so goddamn many

It's an absolute banger from the absolute King Alan Menken, originally from the pretty underrated Tangled the Series. I've seen animatics for this for like every fandom I can think of, and it deserves it because it slaps and has great vocal performances from Jeremy Jordan and Eden Espinosa.

i'm pretty sure this song is more well known than the show it came from is lol. i looked up "ready as i'll ever be animatic" on youtube just to confirm and counted 20+ of them, and i didn't even finish scrolling. it is a genuinely really good song from a /surprisingly/ good show that imo is super underrated. i definitely would recommend checking it out if you get the opportunity!

it's a fandom song that transcended its fandom and became a hit for twist villains.

The song really fosters creativity with how many animatics can create a darker AU where the usual protagonist (or a close associate) is made to be the antagonist because of injustice suffered and the other characters have to fight against them

I've seen *at least* one animatic of this song in almost every fandom I've looked into

It has a lot of Animaniacs because it is sung by an ensemble cast It is good for demonstrating a lot of different conflicting perspectives of characters for your big dramatic fight and its catchy and I love it

I mean everyone loves a scenario where one of the main cast becomes a villain for tragic reasons and the rest of the characters have to fight them while dealing with the betrayal and attempting to make them see reason

How in the actual hell does a song from a Tangled spinoff series go this spectacularly hard? More to the point, how does it have an animatic/AMV for practically EVERY FANDOM IN EXISTENCE?! Yeah, most people know it from that one Warrior Cats MAP, but there is SO much more. Not to mention the bucketloads of people who used this song for their own OCs, which is always a bonus.

Animatics with the song:

Star Vs The Forces Of Evil

Miraculous Ladybug

Sander Sides

Danganronpa V3 fantasy AU

BNHA Villain Deku Animatic

DSMP

Please keep in mind that I don't know all the media and fandoms of the animatics provided as examples and I don't have the time (nor the will) to research them all. Don't come into my notes or my ask box complaining about them being included, I will simply block you. HOWEVER, if a ship animatic includes a minor and an adult, do tell me, I'll remove it.

[beevean]

Opinion: Whisper, Belle, and Surge are all the same thing but in a "different font". They're overhyped creator's pets who hog obscene amounts of spotlight while never doing anything other than being angst ridden and crying their eyes out. Also none of them have any chemistry with any other character in the cast

strongly agree | agree | neutral | disagree | strongly disagree

Mhhhhh

I'm not sure I'd put Surge in the same category. I get what you mean, but my issue with her is precisely that her angst potential, which I actually find intriguing, is just not used enough, while Belle got squeezed like a lemon for all she was worth to the point that she's now basically like an appendix hanging around, and Whisper is still in the process of being squeezed :P

I agree that they hogged more spotlight than needed, and that Whisper and Belle - and Tangle and Lanolin for that matter - have zero chemistry with the main cast, because the OCs mainly stick together. The exception so far has been Starline and his simpness for Eggman, but, well. :V

also i'm glad that surge doesn't have any chemistry with the main cast. i don't want any more surgamy bait pls

[rodismancave]

A reminder to new folks because I feel I need to say this. It's a few specific rules and more of a 'this is how i roleplay' thing. It kinda got away from me fast but alas, I don't want to make anyone uncomfortable for any reason so I just said what I feel i need to say to make that happen.

My muse is mean. It's usually nothing personal but he is Mean if provoked. There is a line and it is Thin.

This extends to his friends, mostly as a show of ease around them and as jokes, its just how he is. a little jokey joke. he says things without thinking and sometimes that leads to misunderstanding or an otherwise "cruel" comment. He normally doesnt mean it like that (unless he does)

this account is like 80% crack. i am here to have fun and be silly. if you take me seriously and get offended by it then I'm sorry but frankly, I have stated this many, many times. I do roleplay serious stuff, I do focus on a little bit of storytelling every once in a while, but for the most part I am silly and quirky. My portrayal won't always be 100% ic, sometimes a little ooc is healthy, for the bit. I stay committed to the bit, always.

Of course. if he's mean to your muse and you don't like it then you can let me know and I'll tone it down. I'll never be an asshole to people I dont know are 100% down to it or who aren't familiar with how my muse acts. However, sometimes being mean is in character with my muse and theres no other way around it. But the more intense, "i want to cause psychic damage" convos I will always ask if its okay for my muse to go hard on yours.

Rodimus is aware of the multiverse. This does not mean he's aware of the history of each multiverse. He may be aware of them, briefly, but he is really not going to dwell on it much and if you expect him to know it he just. wont. He doesn't really care all that much. This is also to say that he may confuse your muse for someone in his crew because of looking alike, and will treat you as such unless proven otherwise.

There are no people who are "canon" to Rodimus' crew, not at the moment. The only ones who I can say with confidence who are in his crew are @weavingmemoir and @stealthfeline, who are also my muses. This is for practicality. If your muse is part of the Lost Light crew in general, though (brainstorm, whirl, megatron, etc) you can respond to my lost light posts as if you were a member of his crew, I dont really mind. Like I said: commitment to the bit, always. The bit is always funnier when more people join.

Don't pretend like your muse knows mine and vice versa without talking to me first. This is mostly about muses outside G1 and IDW, or even people in IDW that Rodimus never really met, as well as OCs. It isn't really towards muses who HAVE interacted with Rodimus at least a few times. It is Awkward having to figure that out, and I'm not particularly a fan of having to dig around for people's relationships to understand what's going on between your muse and mine.

I don't really care if your muse is banging another Rodimus, or anyone else from his crew. Like I genuinely do not care, and neither does he.

I'll always make adjustments if you ask me to. I'll create new verses to fit with your muse, but that requires communication first and foremost. This also goes for events, if you want in on an event just talk to me and we'll see about it together. My events are never 100% thought out because I like leaving space for other participants to have a say in what happens. I just think its fun, like a group project (but less stressful)

When interacting with me I ask to lay off on the quirky colors and varying different fonts in one single reply. I have a lot of difficulty reading things like that and it strains my vision and it gives me a headache. Just, always have the same font throughout, and if there are different fonts, please let them be at least readable. The standard tumblr fonts are fine, except 'lucille', and the small font tends to me specially frustrating sometimes.

This is a g1/idw based blog. I take stuff i like from g1 and stuff i like from idw and i slam it together until I have something I like. Rodimus does not like the prime title, he does not miss being a prime, and he absolutely does not appreciate being called one, unless its doing things for his ego or to make himself look greater than he is. He is an Ass.

[siriuslysatorusimping]

Hi hello, so nice to talk to you, Kiko!

This is going to definitely sound weird, but do you have any advice for an ongoing Ao3 writer? Pretty sure I'm not the only one here writing Gojo/OC stories or fluffy one-shots since they're so addicting lol.

But it's strange to be so obsessed with writing with so many ideas and time and energy to write, and then it feels like you're in a bit of a slump when that rush of creativity sort of slows.

You mentioned before that you had most of the story for AL mapped out and written, did it help you to plan ahead more before posting? Or was it more of a, "I didn't worry about it too much because it was fun to write and we're all Gojo simpls" kind of a deal?

Anyhow, would love to know if you'd be alright talking about it. Have a good day~

Hiiiii! It's nice to talk to you, too! 😊

Gojo fluff is addictive and I honestly have been rereading Physical Paradox installments today because I need fluff and motivation 😂

Hmmmm, advice for AO3 writers? Honestly, I feel like I'm a bit under qualified for that because I'd been an anon reader for over ten years until July when I finally created an account so I could post Another Level 😂😂

BUT, I do have a few thoughts. I'll try to keep these as simple as my over-explaining ass can 🫠 (Kiko did not keep it simple. I ranted and this post is hella long, I am so sorry.)

If you haven't already, you can read Another Level on AO3 💕

On writing in general: Write for you.

1) I know I've said this before, but it's true. Write as if no one else will ever see what you're writing to begin with. That's how I started with Another Level. I never intended for anyone else to see it when I first started. On the flip side of this though, don't be afraid of bouncing ideas off others.

It's likely vain of me, but I genuinely enjoy reading my own writing. I try very hard to make sure that what I'm posting is something I enjoy reading. But it makes it so much easier to write if you enjoy reading it, because you're just as excited to read it and see what happens as someone who isn't in your head.

2) I think that something really important for when that creativity slows in one area, don't force yourself to keep going if you don't have to. Hobbies are supposed to be fun, not an obligation or a stressor.

Once the joy fades from a hobby, it's no longer a hobby.

Think of it this way: since May of this year, I've written around 300k words for different fanfics. If we look at that from the perspective of a single-spaced, 12pt font perspective, that is 300 pages. I've written the equivalent of a gosh dang Dissertation. But here's the difference between Another Level and a Dissertation: writing and researching for Another Level was fun. It was something I wanted to do.

(We'll ignore the fact that I didn't have to teach classes and grade papers simultaneously as well. I do and don't miss grad school And honestly, I miss teaching. But academia can kiss my ass.)

3) Write what you want to write, not what others expect you to write. This isn't your job. You aren't being paid for a word count or hours put in, you're doing this for you and for fun. When you let other's expectations drive you instead of your own desire, that happiness is fleeting and it's easy to burnout fast.

4) Follow your inspiration fairies, even if only briefly. You don't have to write out an entire universe, and you don't have to keep what you write. But sometimes you have to get rid of the brainworms to make room for other ideas. I've realized that a few of my Goinko 'au' ideas are literally better just as little headcannons or blurbs and nothing more. And that's okay, because now I got them out of my system.

5) If you want to write and finish a series, only post for that series. I'm learning this the hard way right now with Gokduō and Physical Paradox. It is really hard to focus on one or the other because I feel an odd pressure to get the next parts done for both, which is completely the opposite of what it should be.

The pressure drains my creativity, and I've found myself struggling because I'm too worried about what people will think of it instead of what I want it to be. In all honesty, I had a moment today where I almost decided I don't want to finish Gokudō because I'm not sure where to take it, but I realized I just need some time away from trying to force myself.

6) If you're unhappy with it, don't be afraid to scrap it. Use it as a starting point if you want, but don't get too attached to it if you don't like where it's going. Take a step back and ask if/how it's getting you where you want to go with that work, and if it doesn't help you get there, then it can go.

What was my approach with Another Level? (includes JJK Manga spoilers)

I'll elaborate a bit more on how I had things mapped out before I started posting first. Essentially, when the Gojo/Sukuna fight started in the manga, I just knew Gojo was going to die. In my mind, there was no way Akutami would let him live, and I was in a really bad place mentally and wasn't sure how I'd be able to handle it. And then I was like "wait, that's literally why we have fanfic, I can keep him alive as long as I want."

So, I started Another Level with the intention to keep it to myself and use it as my own comfort fic to prepare myself for Gojo's death. Some behind the scenes info: a version of the dream Rinko had in Split Bluff was the very first thing I wrote for Another Level. Except it originally wasn't a dream, it was going to be their reunion. However, they weren't as close, they were solidly friends with benefits who barely knew each other. Then, I wrote a part where Rinko first meets Yuuji at the Goodwill Event and she was Maki's legal guardian and still a teacher at Kyoto Tech, then I went further back and wrote her asking Gojo to get Maki enrolled at Tokyo Tech, and then I went further back and wrote Make a God Bleed.

As you already know because you've read Another Level, none of those stayed the same because then, as I kept writing, Rinko took on a life of her own. She became so much more than just a random OC that I threw together without thinking. And I have to say that I'm so glad she did because I'm not sure I would have been able to deal with 236 without Rinko. Some people have said Rinko helped them, but she's helped me so much as well. I mean it when I say she's cemented herself as my favorite original character that I've ever written because she has so much depth and heart that I accidentally poured into her. Not to mention that she's helped me meet some really amazing people along the way.

I'm in a bit of a rut now because I was on a marathon of writing for about five or six months. I started writing Another Level in May, and while I wrote the first draft for All That I Am Is Yours probably in June or July, I pretty much completely rewrote it once we actually got there. Between May and now, I've written upwards of 300k words of JJK fanfic, not including the installments or drafts I scrapped completely 🙃

Posting schedule with Another Level:

As someone who is severely ADHD, my hyperfocus was strong with Another Level. I was obsessed. And I was even more obsessed when I realized people were enjoying reading it as much as I enjoyed writing it.

In all honesty, part of what kept me on a strict uploading schedule with Another Level was a desire for the validation and praise in the comments. While I had a lot written, I uploaded so quickly because I wanted to get that lil rush from seeing the comments.

Kiko is about to do a lil bit of oversharing for ya: I'd just left a job where I'd spent the last six months there with my formerly wonderful boss decided to blame me for every little thing that went wrong, and then she couldn't understand why my performance actually started to drop. I hadn't heard a damn word of positive feedback for anything I did in so long that the comments on Another Level helped pull me out of a very depressive state.

But, it quickly became unhealthy because I started to rely on them to the point where it was all I cared about. All I cared about was seeing comments on the newest Another Level installment, and when there wasn't feedback, I got all in my head about what I'd done wrong and wanted to post the next installment as quickly as possible because maybe that one would do better.

Now, this is not me saying that wanting comments is a bad thing. Feedback is very important, and it's hard to know if people are enjoying something when there's not anything to go on. But it does become a problem if it's the only reason you're writing. I've been very fortunate in that I haven't gotten comments or messages demanding updates because I've seen that others do receive those sometimes. I like to think it's because you guys are just awesome and wonderful people.

I've gotten a bit better about being obsessed with comments because I have this nice lil corner of wonderful people and I feel like I've made a few genuine friends here. (Hi Rai, if you're reading this, I hope you're doing well.)

I know that what I just described for my Another Level posting schedule contradicts what I said in the beginning, but I will say that while my posting schedule was heavily driven by that need for praise, my writing schedule was not. I was writing so much because I was enjoying myself. I was having more fun writing than I had in years. I still am, but I do have to keep reminding myself some of the points I made above otherwise I find myself falling into a rut.

THIS WAS PROBABLY WAY MORE THAN YOU BARGAINED FOR AND I AM SO SORRY 🫠

BUT I HOPE IT MADE SENSE AND THAT IT WASN'T JUST COMPLETELY FUCKING USELESS 😭😭🙃

[boundlss]

[ src. ] Which muse(s)s did you have the biggest inspiration for lately? / Why did you choose to make a multimuse?

Which muse(s)s did you have the biggest inspiration for lately?

well! that is not a simple or short answer because it's usually a lot of them at once. for one, there's shiroe---in no small part due to having become mutuals with you, but i do also generally just tend to have a lot of inspo for shiroe at any given time. i've said this before but he's the muse i absolutely relate to the most out of any of them so he tends to always be pretty high-activity and easy to write for.

jet (avatar) is really up there right now, as well as striker (helluva), who are really kind of the same general character archetype in two different fonts. i've also been thinking a lot about five pebbles today in particular, and dandelion. then there's always cyran azerrad kapral, ankita culathene, aurilis ayeva, yanna lazaros, and finnegan twelve---well, they're all ocs of mine so it's only natural my mind would be on them pretty often but it IS on them specifically pretty often.

not necessarily on this blog, but i also think about mark twain ( @antisatiric ) more than i even really think about shiroe, which is a tall order! and i've been doing some pondering over ronny schiatto, dallas genoard, pamela mccall, nader schasschule, and laz smith ( @drfeelgreed ) lately too. i've been meaning to get back to those baccanos but i don't exactly have the audience required on either of the aforementioned blogs to really, um, run a functioning and active rp blog.

Why did you choose to make a multimuse?

people who have followed me for a long time will probably know this but when it comes to what characters i feel like writing at any given moment in time, i can be extremely flighty. i get really anxious only focusing on a few characters at a time and it's sort of always been that way with my writing.

it just ended up being the most comfortable for me to have a bunch of characters i wanted to write all in one place because of that. there have been some muses i've strategically placed on singlemuse blogs---twain over on antisatiric is one of them---because i knew they'd get more interactions that way, and sometimes it actually is very hard for me to see people who run singlemuse blogs getting a lot more attention for characters i *also* have just because they only write that character, but i'm really not capable of changing the things about me that make multimuses easier, so ...

multi questions. / eagerly accepting!

[practically-an-x-man]

Assign a popular (or maybe unknown?) Kids book series to your OCs (ex: Warrior Cats, Percy Jackson, Magic Treehouse(?))

Ooh, interesting! Thanks for the ask! This'll take some thinking, I was a really avid reader as a kid so it might be hard to choose

Okay well Kestrel is already technically from a kids/teen book series since that whole fic is based on the Fablehaven series by Brandon Mull. Great series, really, I still love it as an adult and the characters/plot really hold up!

Rae I think would get Goosebumps. Her story isn't particularly spooky, but she enjoys horror books as an adult (namely Stephen King) and if the Goosebumps books had been around when she was a kid, she'd have eaten them up. Plus, there's such a particular upfront and daring style to them that I think reflects her.

Robin gets the Bailey School Kids books. I mean, a group of schoolkids trying to investigate things that they assume are much bigger than them? And in the books, it usually ends up being totally mundane, which wasn't exactly the case for Robin's little investigations... but it still works. And if I remember correctly, one of the main characters was named Melody

Jasper gets Sideways Stories from Wayside School, another one of my favorites as a kid. They're really goofy, off-the-wall stories (written by the same guy who wrote Holes), but some of them get shockingly dark at times! I remember there was one story about a guy who showed up and stole everyone's voices, and another one with a hypnotist who would just hypnotize people with the most random things, those really stuck with me. A little out-there, a little away from the ordinary, and sometimes a little dark.

Katherine grew up on comic books and graphic novels, but I'm not sure that counts. So... we'll give her Geronimo Stilton. I think she would have enjoyed the different fonts and doodles, plus all the goofy adventures in the books.

Quinn gets my long-time favorite, Wings of Fire. I can't really justify this choice, other than that it's another fantastic book series that still holds up even in adulthood, and there's a lot of darker themes in them that I was surprised made their way into a youth series. Oh, and bonus: there's a lot of queer rep and disabled rep, particularly in the later books! There's a reason I love them so much :)

Indigo.... I don't know. She's been through some serious shit, though, so we'll give her A Series of Unfortunate Events. I don't think I really need to explain this choice, do I?

Madison gets the Boxcar Children for sure. It's about this group of siblings that runs off to the woods and ends up living in an abandoned boxcar for a while, until they end up being adopted by this rich family. They made several books (I only read the first one), but it definitely seems fitting for her.

Prometheus gets the Magic Treehouse, since I think it's the most fitting to their story. I mean, travelling through time, exploring different worlds while maintaining the safety of the treehouse, it just strikes me as very suited to them.

Ophelia gets the Encyclopedia Brown books. Man, I used to love those as a kid - they were mystery/hijinks books starring this kid detective, but they put the reveal at the end of the book so you could try to guess what you think happened before flipping ahead and reading the ending. Ophelia would have loved those, I'm sure, with her inquisitive mind.

[druidberries]

for the oc ask meme - 2, 16, and 25 for any character!

i'm gonna do these for lucine because it's been a while since I've talked about her!🥹

2. What's something about your OC that people wouldn't expect just from looking at them?

I'm not sure if this is something people would expect or not, but she has pretty bad social anxiety! I feel like since she has a pretty dark vibe it just doesn't seem like something you'd expect from her, also I feel like druids are usually seen being pretty well-spoken and calm around people, and she just isn't lmao

16. What is your OC's pain tolerance like?

I feel like it's gotten better since adventuring and having to be in fights kinda often, but still it's really bad 😅 she's pretty fragile

25. What is your favorite thing about your OC?

oh boy, where do I even BEGIN! for starters, she's my favorite character of mine in general. I love druids so so much and the fact that she's a darker-themed one is so fun to me! I love moons and she is literally a walking moon lady. she's also kind of just me in a different font, so I like everything she likes and is a lot like me, so it's really easy for me to write about her and develop her as a character! I honestly can't name one specific thing about her as my favorite! I could sit here for days and list things

[petra-creat0r]

About dragon riders, maybe if one of your other OCs in it (an au of an au)? Maybe Chicago or Wilbur if they grew up there?

Funnily enough, I have drawn that before! They're in my other sketchbook which is at my girlfriend's house at the moment, so I can't pull them out but I will talk your ears off about my Undertale-ish Dragon Riders AU since you have shown interest in my story. I should note, I still need to come up with Dragon Riders appropriate names for these versions of the characters, but that hasn't happened yet. Just know that in universe, they likely would not have the same names.

Starting with CK (we'll come back around to Chicago, don't worry). A dragonborn/werewolf hybrid is what gets as close to his original design as is possible in Dragon Riders. This then informed the rest of the Dreemurr-Font family. You may think that "Oh, because the Dreemurrs have fur then they'd be the werewolves" and that's where you're wrong. No, in this little UT-ish Dragon Riders AU, Dreemurrs like Toriel and Asgore are dragonborns, with Asriel being a dragonblood (what happens when two dragonborns have a kid, introducing more draconic blood, but the still present human/fae blood present prevents it from making a full dragon.) Sans is the werewolf.

This dragonborn/werewolf Dreemurr-Font family also still has Kris, Frisk, and Sariel, though not Chara or Exriel (Chara does still exist, just not as an adopted child of Toriel and Asgore. ... Or maybe still that. Idk, this is still a work in progress.) Sariel, like CK, is a dragonborn/werewolf hybrid, and Kris and Frisk are still humans. Main difference is their clothing styles and ways they were raised. In this AU, like is likely true in canon Deltarune, Kris was adopted by the Dreemurrs very young. (Because I don't have to worry about the whole, combining the stories of Deltarune and Undertale), so they were raised by dragonborns. Frisk, on the other hand, was raised by werewolves, and likely was part of Sans's pack, meaning they became a part of this family when Sans and Tori got together.

(I'm happy to rant more about the DR Dreemurr-Fonts more later)

Onto Naomi, they're obviously a mermaid. Naomi's always had an inspiration of Nemo from Finding Nemo, so they're a clown fish mermaid. Reason I didn't make then a siren despite sirens having more "fishy" features than mermaids is to keep Naomi's hair. Sirens don't have hair. Well... neither do mermaids technically, they're all just whiskers made to mimic humans. Also sirens are deepwater creatures, where I see Naomi and their family living closer to the surface.

Britni would be what is known as a Faeline. Basically, an anthropomorphic cat, or like tabaxi's from D&D. Not much else to say, her design changes the least out of everyone, mainly just changing her ears slightly. I imagine she might still have some reptilian features and technically be a small part dragonborn as I think more about it. Bratty and all.

Wilbur is an arachne, a sorta giant spider centaur thing. Upper body of a humanoid, lower body of a spider's thorax and abdomen. I've changed the number of limbs that arachne have a few times, but I think eight legs on the spider part plus two humanoid arms on the upper torso makes the most sense. I imagine the Wilbur would have still been adopted by Asgore in this AU.

Now, Chicago is probably one of the most different in this AU. Not necessarily because of his design, but you see... Chicago is an animation. A living puppet. Normally in Dragon Riders, animations aren't... sentient. They're tools. Wooden golems brought to life for often more menial tasks than their larger, clay cousins. Which is where Chicago, or Cipolla as he's known in this AU, is an outlier. A freak of nature and magic. He's not the son of a monster mascot and a star here, he's an experiment. A literal puppet, likely confiscated from the mad scientist wizard who created him by the village guard.

Anyway, when I find the original refs, I'll show them, as well as likely draw my Dragon Riders Junior Secret Squad again. I'm always happy to yap more about Dragon Riders, including this little AU of it if you're interested!